This technical experimentation coincided with his involvement in the Surrealist movement and, even more so, the Surrealist vision. In his pochoirs, all of the color is brushed on, giving the print the surface of a gouache.
#Dupin miro how to#
In the 1930s, Miro was exploring using the pochoir (stencil) process to achieve color in prints, learning how to make etchings and lithographs, and executing his first and only linocut (see below). Heroic Poetry: Brinkman / Frankenthaler / Mitchell / Motherwell / Nevelson / Tàpies Miró Sans le Soleil / Miró Sans le Soleil 2 / Miró Sans le Soleil 3 Home / Gallery Tour 1 / The Cosmological Vision of Joan Miró / Gallery Tour 2 / ArtistsĪ Virtual Tour of "Miró 2006," Part I / A Virtual Tour of "Miró 2006," Part II
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